“Building a palette is an intuitive process, but expanding a typographic duet to three, four, or even five voices can be daunting. Here are four tips for navigating the typographic ocean, all built around H&FJ’s Highly Scientific First Principle of Combining Fonts: keep one thing consistent, and let one thing vary.” Great advice from H&FJ.
“Priori Acute is the latest addition to the Priori family. It is the result of a series of experiments into three-dimensional letter form design inspired by 19th Century display and artistic printing types. However, instead of simply adding drop shadows or fake relief to create the illusion of depth, the designers at Jonathan Barnbrook’s studio took their cue from such diverse sources as the angles on the Stealth bomber and the visual conceit in the work of the Dutch graphic artist M.C. Escher.” Stunning stuff, and I’ve always had a bit of a thing for Stealth bombers and Escher.
She’s got game.
It’s a “rival of the British Rail Alphabet designed by Margaret Calvert of Kinneir Clavert Associates in the early 1960s.” Looks like a great alternative to Helvetica and I love all the weights it comes in too.
Another gorgeous font from H&FJ in the Clarendon vein.
Love the soviet feel with this. I do wish they’d made a set of lowercase characters though too.
This free font from exljbris is, well, delicious. That ampersand just might be new favorite.
A little pricey but sweet. Isn’t everything from Veer a little pricey?
An unnamed new typeface-in-progress from Aisle One. It’s awesome to see the initial stages as he works through the different letters. I’m liking the shape of it already.
I’ve memorized a lot of the keyboard shortcuts for the ones I use regularly over the years, but this is a great reference for whole bunch more.
The beautiful typeface used by Bryan Veloso in the design of the beautiful Addictionary, The typeface is designed by Dino dos Santos.
Taken by Adam Polselli